Samara Golden’s got guts. The manifold meanings of this terse visceral word—whether it refers to one’s corporeal intuition, a vigorous form of bravery and conviction, a gnawing anxiety that twists…

An elegant iron architectural framework carves out a domelike space within the entry room of Ruth Beraha’s solo show “We will name her Tempest.” Inside it, an armature of four…

The show here by Dorothea Tanning (1910–2012), “Doesn’t the Paint Say It All?,” was being billed by Kasmin as “the most comprehensive solo presentation of her work for US audiences…

Berlin-based Bolivian-American artist Donna Huanca, through a dimly lit indigo tunnel. It led to a wall illuminated by the projected hues of DOS, PIEDRA QUEMADA (CLAY), PARRAJO (Two, Burnt Stone…

A view from the author’s water taxi as she (reluctantly) departed from Venice. All photos: Linda Yablonsky. WHEN IT COMES TO ART, there is no such thing as a glutton. Not…

#sponsor April 18, 2022 Colossal “SKALAR” light installation by Christopher Bauder and Kangding Ray. Photo by Ralph Larmann Since its inception, the internet has offered its users new instruments on…

In this episode of Under the Cover, the art historian talks with David Velasco about her essay “Men Are Dogs,” and what these six paintings by the Venetian master tell…

New York’s Public Art Fund today announced that it has hired Allison Glenn to serve as senior curator. Glenn, a curator and writer with extensive experience in the public-art sector,…

Viennese Actionist Hermann Nitsch, who put blood, entrails, flesh, scream choruses, and gasoline in the service of works bristling with a primal, electric energy and often targeting religion or fascism,…

The National Gallery of Victoria (NGV) in Melbourne, Australia, has received a donation of A$100 million (US $74 million) earmarked for the construction of a new building to showcase its…