Bowing to years of pressure and protests from climate change activists as well as academics and its own staffers, the British Museum has severed ties with BP. The oil and…

Angela Cassie, who stepped in as interim director and CEO of the National Gallery of Canada in June 2022, after Sasha Suda departed to lead the Philadelphia Museum of Art,…

While the surrounding world may seem most vivid when reduced to black or white, Sofia Nercasseau advocates for the power of the full spectrum. “Laboratorio del color” (Laboratory of Color),…

The recent video work of Maryam Tafakory urges a renewed sensitivity in how we understand the poetic-political function of one of cinema’s fundamental elements: the montage. Taken from popular Iranian…

The Whitney Museum of American Art, New York, is selling its former Upper East Side home, designed in 1966 by Marcel Breuer, to Sotheby’s for about $100 million. The auction…

There’s a certain intangibility to Daniel Maier-Reimer’s aesthetic practice, which takes the form of travel. From the Laplands to New Zealand, the artist has created almost fifty of these works…

Judging by the title “Jelliz et Gestes” (Zellij and Gesture), it’s easy to assume that the focal point of Sonia Kacem’s latest exhibition is zellij, the tradition of enameled ceramic…

Rodrigo Moreno, The Delinquents, color, sound, 180 minutes. Morán and Norma (Daniel Elías and Margarita Molfino). AS PORTENDED by the announcement of the premiere of Martin Scorsese’s Killers of the…

For “IT,” Jacob Kassay’s first solo show in Scotland, the front-door frame of Ivory Tars is plastered with two tiny adhesive labels, each marked with one of the titular letters…

Ken Jacobs, Orchard Street, 1955/2014, 16 mm transferred to HD video, color, silent, 27 minutes 20 seconds. THE VISIONARY American moving-image maker Ken Jacobs has created an extraordinarily large body…